{"id":8096,"date":"2023-08-07T06:44:27","date_gmt":"2023-08-07T10:44:27","guid":{"rendered":"https:\/\/www.hurlemort.com\/blog\/?p=8096"},"modified":"2023-08-07T06:44:27","modified_gmt":"2023-08-07T10:44:27","slug":"anaal-nathrakh-hell-is-empty-and-all-the-devils-are-here-2007","status":"publish","type":"post","link":"https:\/\/www.hurlemort.com\/blog\/anaal-nathrakh-hell-is-empty-and-all-the-devils-are-here-2007\/","title":{"rendered":"Anaal Nathrakh \u2013 Hell is Empty, and All the Devils Are Here \u2013 2007"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.hurlemort.com\/blog\/wp-content\/uploads\/2023\/08\/anaal-nathrakh-hell-is-enpty-e1691405028258.jpg\" alt=\"\" width=\"250\" height=\"250\" class=\"alignleft size-full wp-image-8097\" srcset=\"https:\/\/www.hurlemort.com\/blog\/wp-content\/uploads\/2023\/08\/anaal-nathrakh-hell-is-enpty-e1691405028258.jpg 250w, https:\/\/www.hurlemort.com\/blog\/wp-content\/uploads\/2023\/08\/anaal-nathrakh-hell-is-enpty-e1691405028258-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>L&rsquo;\u00c9volution M\u00e9tallique selon Sinistros #1086<br \/>\nAnaal Nathrakh \u2013 Hell is Empty, and All the Devils Are Here \u2013 2007<br \/>\nAngleterre<\/p>\n<p>Apr\u00e8s deux albums chez Season of Mist, Anaal Nathrakh avait sign\u00e9 pour un plus petit label Anglais r\u00e9pondant au nom de FETO Records.  Mais dans les faits, ce changement de label \u00e9tait par souci d\u2019ind\u00e9pendance puisque que FETO Records appartenant \u00e0 Shane Embury (Napalm Death) et Mick Kenny, guitariste et principal compositeur pour Anaal Nathrakh.  Hell is Empty, and All the Devils are Here est consid\u00e9r\u00e9 comme l\u2019un des meilleurs albums de la discographie du groupe et l\u2019un des plus sauvages sur le plan musical.  Le duo poursuivait avec des riffs qui \u00e9corchaient les tympans et une rythmique m\u00e9canique qui nous attaquait de toutes parts.  Le son g\u00e9n\u00e9ral \u00e9tait toujours le m\u00eame m\u00e9lange explosif de Black Metal Industriel et de Grindcore mais la technicit\u00e9 \u00e9tait mont\u00e9e d\u2019un cran de m\u00eame que l\u2019agression sonore dont Anaal Nathrakh \u00e9tait pass\u00e9 ma\u00eetre.  Le groupe signe ra pour Candlelight pour les trois albums suivants afin de continuer \u00e0 nous offrir toute la qualit\u00e9 musicale dont il \u00e9tait capable de livrer.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tNGguypUC8E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;\u00c9volution M\u00e9tallique selon Sinistros #1086 Anaal Nathrakh \u2013 Hell is Empty, and All the Devils Are Here \u2013 2007 Angleterre Apr\u00e8s deux albums chez Season of Mist, Anaal Nathrakh avait sign\u00e9 pour un plus petit label Anglais r\u00e9pondant au nom de FETO Records. Mais dans les faits, ce changement de label \u00e9tait par souci d\u2019ind\u00e9pendance &hellip; <a href=\"https:\/\/www.hurlemort.com\/blog\/anaal-nathrakh-hell-is-empty-and-all-the-devils-are-here-2007\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Anaal Nathrakh \u2013 Hell is Empty, and All the Devils Are Here \u2013 2007<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[650],"tags":[184],"class_list":["post-8096","post","type-post","status-publish","format-standard","hentry","category-levolution-metallique","tag-anaal-nathrakh-uk"],"_links":{"self":[{"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/posts\/8096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/comments?post=8096"}],"version-history":[{"count":1,"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/posts\/8096\/revisions"}],"predecessor-version":[{"id":8098,"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/posts\/8096\/revisions\/8098"}],"wp:attachment":[{"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/media?parent=8096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/categories?post=8096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hurlemort.com\/blog\/wp-json\/wp\/v2\/tags?post=8096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}